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Luigi Capuana, often characterized as the father of verismo, not only explored the spiritual and the psychical realms throughout his fiction and non-fiction works, he also appropriated and overturned realism in his many fantastic short stories in which the marvelous and the uncanny frequently intermingle.

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Need an account? Direzione Generale Spettacolo. It is more probable that, sometime in , the filmmakers got news that an American novel called I vampiri was to be published by Longanesi and decided to beat the editorial colossus on time. The import of American films in Italy had ceased on January 1st , after a dispute between the Italian Fascist government and Hollywood majors over State monopoly Quaglietti, ; Corsi, As noted by Lo Foco and Venturini , producers could enact minimo-garantito -like credit or deferred payment mechanisms also in relation to studio facilities, film labs and suppliers.

The Italian Censorship Office required two very brief shots featuring skulls and skeletons to be removed from the trailer only Ufficio di Revisione Cinematografica, For an in-depth thematic analysis of Tempi duri per i vampiri see Guarneri The first Italian edition of the novel Dracula —printed by Milanese publishing house Sonzogno in under the title Dracula.

AAVV 98 Protagonisti si raccontano. Il Castoro, Firenze, p 37— Agazzi R Il mito del vampiro in Europa.

Lalli, Poggibonsi. Anonymous Il segno del vampiro. Cinema Illustrazione 16 4. Murnau: Proiezione: domenica 2 maggio Circolo Romano del Cinema, Roma. Gazzetta del Popolo, unnumbered page.

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Il Giorno, unnumbered page. La Notte , unnumbered page. Il Tempo , unnumbered page. La Stampa , unnumbered page. Anonymous Prime visioni: Dracula. Anonymous a Dracula in gonnella e juke-b ox. Mascotte 1, p Mascotte 8, p 38— Anonymous c La maschera del demonio.


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Mascotte 14, unnumbered pages. Anonymous d Malati e medici del passato: i vampiri e il medico di Byron. Progress Ter — Bulzoni, Roma. Argentieri M La censura nel cinema italiano.

Editori Riuniti, Roma. Barattoni L Italian post-neorealist cinema. Edinburgh University Press, Edinburgh. Baschiera S The s Italian horror cinema of imitation: the good, the ugly and the sequel. Edinburgh University Press, Edinburgh, p 15— Film Int 8 6 — Parte Seconda. Centro Sperimentale di Cinematografia, Roma.

Bizzarri L Cinema senza industria storia economica di dodici anni. Ponte — Burucoa C Gli accordi di coproduzione Il Castoro, Firenze, p 18— Poligono, Milano. Cammarota D I vampiri.

Italy, Vampires in | Article about Italy, Vampires in by The Free Dictionary

Fanucci, Roma. Campassi O Recenti aspetti del formalismo. Cinema 9 1 — Cinema 12 4 — Cinema 8 — Centro Cattolico Cinematografico I vampiri. Segnalazioni cinematografiche 41, p Centro Cattolico Cinematografico Dracula il vampiro. Segnalazioni cinematografiche 45, p Clarens C Horror movies: an illustrated survey. Colombo M, Tentori A Lo schermo insanguinato: il cinema italiano del terrore — Solfanelli, Chieti.

Corsi B Con qualche dollaro in meno. Storia economica del cinema italiano.

Il vampiro nella letteratura italiana

Cozzi L I maghi del terrore. Intervista a Riccardo Freda. Horror 15 4 — Cozzi L Ancora Riccardo Freda. Profondo Rosso, Roma, p — Profondo Rosso, Roma. Lindau, Torino. Curti R Italian Gothic horror films — McFarland, Jefferson. Ferciani, Milano. Della Casa S Mille comparse o un attore? Bergamo Film Meeting, Bergamo, p 53— Di Chiara F I tre volti della paura.

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Il cinema horror italiano — Di Chiara F Domestic films made for export: modes of production of the s Italian horror film. Edinburgh University Press, Edinburgh, p 30— Doglio C Due linguaggi diversi: muto e sonoro. Cinema 3 11 — Feltrinelli, Milano. Fink G Occhi senza volto. Cinema nuovo — Fofi G Terreur en Italie. Midi-Minuit Fantastique 7 11 — Foni F Alla fiera dei mostri: racconti pulp, orrori e arcane fantasticherie nelle riviste italiane Divoratori di celluloide: 50 anni di memorie cinematografiche e non.

Emme, Milano. Ghelli N Dracula il vampiro. Rivista del cinematografo 1 1 — Cinema 77 12 — Gramsci A a Quaderni del carcere.

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Volume 2: Quaderni Einaudi, Torino. Gramsci A b Quaderni del carcere. Volume 3: Quaderni Guarneri M Re-working the Count Dracula myth, re-negotiating class identity: the transnational vampire goes to lates Italy. Art Commun Popculture — Palgrave Macmillan, New York. Akropolis, Roma. Mascotte Magli A Psicologia e spettacolo: i vampiri minorenni. Sipario — Momento Sera , unnumbered page. Nuova ERI, Torino. Meikle D A history of horrors the rise and fall of the house of hammer.

Scarecrow Press, Plymouth. Mistrali F Il vampiro. Storia vera. Murphy MJ The celluloid vampires: a history and filmography — Pierian Press, Ann Arbor. Newman K Thirty years in another town: the history of Italian exploitation. Monthly Film Bull 1 — Peirse A After Dracula: the s horror film.

Tauris, London. Pezzotta A Doppi di noi stessi.

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Segnocinema — Pezzotta A Il boom? Ulisse — Pisoni R, Ferrarese M Il padre del mostro. Un mondo a parte, Roma, p 43— Carocci, Roma, p 31— Praz M La carne, la morte e il diavolo nella letteratura romantica. Quaglietti L Storia economico-politica del cinema italiano — ERI, Torino. RAI Tv titoli: opere liriche, operette e commedie musicali, drammi e commedie, originali televisivi, riduzione di opere letterarie, films, telefilms trasmessi in televisione dal al