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In a way it made more sense, because after four years of occupation, everyone in Holland was under a breaking point; people were starving and people were hiding Jewish people and were risking getting deported themselves. Once you sent the script off did you have any involvement or preview into how the film was turning out? He also sent me early edits and I gave my feedback, and he was really open. Are you working on else right now? Would you and Gideon do another collaboration anytime soon?
Reckoning at Raindance by Pete Peterson, Paperback | Barnes & Noble®
Final question, do you think that indie cinema can continue to make its way into the climate of mainstream filmmaking? Emily also interviewed Ronald Schuldink and Raphael Oettel, directors of music video Kiss the Devil, which screened in the local showcase with Day of Reckoning. Was this the first time you worked with The Grand East?
Raphael Oettel: Yes, it was the first time we were working with them. Ronald Schuldink: Though none of them were in the movie, none of them wanted to be. What are your impressions of the festival so far? Do you feel your product was well received? RO: The guys in the band released it to promote their album, and to promote the record label. RS: Yeah, it was our first creative commercial video I think we made. Normally we do promotional videos for companies in the east of the Netherlands. For young filmmakers in Holland, what are your tips for making it in the commercial film world?
Any insights or wisdom? It has so many different aspects that you have to learn a lot. I think the only way you can really do that is by gaining experience so, just do a lot. RS: Cannes! I would like to do a documentary, that would be cool as well.
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RO: Yeah definitely Cannes festival. I would also like to do more of this kind of stuff [music videos], not more of the promotional thing. Skip to content info liftoff. FB twitter Instagram.
Reckoning at Raindance
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Gideon van Eeden
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